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Introducing: Marmaduke Dando

Marmaduke Dando releases his debut album Heathcliffian Surly on 3rd Sept 2010 at Hoxton Hall in London.

My name is Marmaduke Dando Hutchings and I am a singer of morose ballads and frisky jigs. I write about all the horrors and beauties of the modern world, and bark them back at it with my dear band on the cold and regimented performance stages of London. I am originally from Portsmouth on the south coast of England, born and raised there until the dull glare of the capital became so unbearable that I fled towards it. (from: marmadukedando.com)

Lyrics of "If This Is Civilisation":

The snivelling remains of humanity,
Scooped up off the floor and served back to itself.
Masticated already in preparation,
For the toothless masses of this dying nation.

If this is civilisation, I want no part in it.

To think one can comprehend so little,
Yet live in such complexity is nothing short of a riddle.
The deeply satisfying myth of progress,
That faceless object that offers divine purpose.
If this is civilisation, I want no part in it.

Another day, another horror.
No one seems remotely bothered.
Sat there all day twiddling little machines,
Sucking on dicks of men they've never even seen.

If this is civilisation, I want no part in it.

I would burn my right hand in a slow fire,
To change the future before we expire,

If this is civilisation, I want no part in it.

The division of labour has outsourced your mind,
The spunk's gone dead, you can't fuck for your life.

If this is civilisation, if this is civilisation, if this is civilisation, if this is civilisation,

I want no part in it

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Rock (and U.S. Oil Production) Is Dead

Mere correlation? Dastardly causality? What would this look like if it used best-of data from a magazine that hadn’t ignored the majority of hip hop, electronic music, and the American underground for the last three decades?

Filed under  //   music   stats  

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The Earth Sound: Alunda Church Choir plays the soil of northern Uppland

“The vinyl is dead. Good. Now listen to the beautiful noise of the earth. In this performance Alunda Church Choir, conducted by Cantor Jan Hällgren, plays the soil of northern Uppland (in Sweden)."

Introducing: the terrafon, a large version of the horn gramophone, amplifying the sounds in the track it ploughs. What I like in particular about Olle Cornéer und Martin Lübcke's work with the title "Harvest" is the participation of local ensembles "playing" their soils, the analogue approach and the use of soil as a media: putting the soil on the level with vinyl discs to which one can listen to. These performances offer a complete new experience of soils. I have never had the chance to listen to soil before! Check also Diego Stocco's similar but more digitised work on music from Sand or from a Tree.

 

Filed under  //   art   music   performance   soil  

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Kids

You might have noticed that I have become a fan of the outstanding work of the court 13 collective. Here's another astonishing piece: the videoclip to MGMT's track Kids.

"He who fights with monsters might take care lest he thereby become a monster. And if you gaze for long into an abyss, the abyss gazes also into you." (Friedrich Nietzsche: Beyond Good and Evil, §146)

 

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